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Why film festivals can (not) inherit cinema culture
Lars Henrik Gass discusses the necessity of evolving film festivals and cinema culture in response to the COVID-19 pandemic and long-term commercial decline. Using the International Short Film Festival Oberhausen's shift to a streaming portal and blog in 2020, he argues that digital resources can democratize film access and reach new audiences. He contends that cinema should be freed from market interests through public funding and redesigned as sustainable, multi-functional urban cultural spaces that integrate digital and analogue experiences.
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Document type: Statement
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