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The report by Unge Kunstneres Samfund outlines three primary strategies for artist organizations to address the climate crisis: integrating climate action into professional political work, establishing and maintaining networks, and fostering 'climate utopias' through creative responses. It emphasizes the link between climate justice and artists' working conditions, suggesting that sustainability must encompass both material and social issues, including the adoption of circular material use in exhibition production. The framework utilizes a classification of approaches—dutiful, disruptive, or dangerous—adapted from Karen O’Brien and Julie’s Bicycle to guide organizational planning and prioritization.